Royalty Rate Threat Averted!

Friday, July 13th, 2007

For DJ’s who play music in Second Life and have been worried about the Roaylty CRB decision, congratulations, we are saved! A lot of political pressure and support to campaigns such as SaveNetRadio have really helped the recent decision of SoundExchange to not enforce the new royalty rates on Sunday (reported by RAIN and by Wired!). While things are safe for now, SoundExchange, congress and radio broadcasters are currently working on settlements to resolve this situation for everyone. Second Life DJ’s are saved, along with Internet style radio, for now.

Preparing for the Worse: Internet Broadcasting Alternatives - Part 3

Thursday, July 12th, 2007

With the deadline till the royalty rates for Internet broadcasters nears, I’ve been covering the different options that are available say a deal does not get done. Some bad news was announced earlier today as the courts denied the ‘motion to stay’ the CRB decision. The good news is that the activity on Capitol Hill, a round table settlement between broadcasters and SoundExchange. With two days left till the rates increase, there is still a question about what alternatives do DJ’s, and broadcasters have to continue to stream music. More importantly, in the economy that is Second Life, what options do new DJ’s have to continue to broadcast music, let alone their favorite songs? While there are many options for playing interesting and independent music, there aren’t many for playing most popular, “FM” music.

The first and the most obvious would be to pay the increased fees, to build a business model around it. While the model can be supported in Second Life, the market for DJ’s would not sustain the higher prices that a DJ would have to charge. The second choice is to go private, to make a stream a private stream and not pay the fees. While this option is VERY illegal (and when the RIAA finds you they will sue you to the next millennium), it is also disrespectful to the musicians whose music you do play. I do believe that musicians should get compensated for use of their works but not at the risk of putting me out of business. The third option is to approach one of the big four recording labels and strike a deal with them, the the same way that Sony and last.fm struck a deal, but this also hurts the musician as well.

The real last option is to hope that royalty licensing services such as Live365, Loudcity and SWCast remain open and are able to work our deals or keep prices affordable for web casters to utilize their services. These services are geared towards small broadcasters and charge a low fee, file the paperwork and pay all of the necessary licenses for broadcasting. I’ve been using Loudcity for some time (http://community.loudcity.com/people/nexeus) and it has really made my ability to broadcast shows in Second Life and online, easy, legal, and affordable. Services like Loudcity and SWCast work well with Second Life, as Live365 does not seem to be as SL friendly.

While the situation does look bleak, I would recommend that if things do not work out, the true alternative for radio webcasters is to rely less on “FM” music and begin to seek more alternative, independent sources for the type of music they wish to play… you really may be surprised by them.

Preparing for the Worse: Internet Broadcasting Alternatives - Part 2

Wednesday, July 11th, 2007

At the end of this week the new royalty rates for broadcasting music gets implemented by the CRB. While there is an effort to prevent these new, oppressive rates from going into effect (and effectively destroying a lot of Internet based radio). This week I decided to take a look at the alternatives for Internet Radio, especially for those who DJ in Second Life where the market place is not as lucrative for DJ’s. Today, I want to focus on another method that makes it viable to play artists music, and for free, and that is by acquiring direct permission.

Getting direct permission may seem very hard and it very well could be. For major bands, you have to ask several people for permission, the artist, the record label, the composer and the song writers (all represented by ASCAP, BMI, SESAC). That is handled by the current structure of SoundExchange and the RIAA (and thus the importance of the current royalty rate situation). Acquiring direct permission is really geared towards two methods, the first is the use of Creative Commons and their Attribution license, the second is by using social networking sites such as ACIDplanet, or MySpace to ask permission from the artists directly.

Creative Commons is a non-profit organization that has set up free public licenses for authors to indicate the terms of use for their items publicly. Any artist who has made music under the Attribution Creative Commons license has basically given DJ’s and Broadcasters permission to stream their work (there is even a new Music Sharing License that can be used.) While you can scour the net, OWL, is a great upcoming music search engine that compares similar songs to each other. While the concept is great, it is no no Google for music (but the best available). The alternative to using OWL is to search through music sites that allow artists to upload their music, to share or purchase it, and to determine their use through a Creative Commons license, each one operates a bit differently than the other. ccMixter not only allows artists to upload and share their music, but also allows a person to create their own remix stations, remixed individual tracks, it even has remix contents! ccMixter is a great resource for new music and artists, and while you can find some great tracks here, its beauty is its streaming options for Second Life users. If your favorite radio station goes dark because of the upcoming royalty hikes, you can create your own playlist based on ccMixter’s music and stream that! Another service, Jamendo is a bit different, allowing artists to upload their music and apply tags to them (such as the type of music that song falls under) and what creative common license is falls under. Jamendo acts as an intermediary between the listener, broadcaster and the artist, allowing users to pay the artist directly for use of their music. Unlike ccMixter, it’s music is organized better, as artists upload full albums of music for people to use. You can also refine your searches for music from specific countries, you can do a search for Industrial Music from Mexico (which at the time of this posting there were two albums). Magnatune, the third major service feels more like an independent iTunes and SoundExchange. Artists sign up with Magnatune, enabling their music to be purchased directly for as little as $5 and a much as $18 (it is your decision). The beauty about Magnatune is that music can also be licensed by purchasing a license agreement through their site. The problem I find with the Magnatune license program is that not only can be quite expensive for webcasters (you have to license each track individually), but they don’t seem to have a program or license coverage for Internet broadcasters (which I hope would change in the future). Being that they are in Second Life, it would be pretty cool if they give some sort of Second Life broadcasting license coverage program.

Of course, if you have a local band in your area and are friends with them, you could ask for permission directly and arrange agreements with them! The problem is that this can be tedius, hence the advent of ACIDplanet and MySpace. MySpace has a deep music community and it is easy to visit their websites, get further information about the musician, talk to them directly. Before there was MySpace, there was ACIDplanet, which is run by Sony. ACIDplanet is a music creation community, allowing artists to publish their music free on a website, although is pushes its music creation software ACID Pro, just don’t expect anyone on their label to have music available for use. ACIDplanet tends to be a community geared towards Electonic music, it’s a great source for house and trance songs, but again you have to ask the creator for permission to use it directly.

All of these services listed are geared towards Independent music, things you won’t typically hear on MTV or your FM dials. While you won’t have access to play Billboards Top songs, you will have enough access to find new (and great) music, it just won’t be Linkin Park’s or Metallica’s recent releases.

Note: I am not a source of legal advice on music royalty or even music licenses. This article was created to be informative, and to outline options that also fall into the legal realm of music licensing and copyrights. I would advise that you speak to your legal representative, lawyer, or a person familiar with music copyrights before making any final decision.

Preparing for the Worse: Internet Broadcasting Alternatives - Part 1

Tuesday, July 10th, 2007

With the deadline for the increased royalty rates looming, I wanted to focus on alternative ways to keep Internet Broadcasters alive. This series I will run throughout this week and will focus on Internet Broadcasting Alternatives. While this article may seem damning in the fight over Royalty Rates and fees that were imposed by the Copyright Review Board earlier this year. I feel that it is better to be prepared rather than caught off guard. Even if a resolution to the excessive royalty fees are made, the alternatives that I will highlight can only enhance current Internet Broadcaster options. If you want a full recap of the CRA decision and it’s fall out, the Broadcast Law Blog, the Radio and Internet Newsletter, and the SaveNetRadio.org group have done a great job in covering the issues. In this post I want to focus on IODA Promonet.

I was first introduced to IODA Promonet by Eric Rice earlier this year. Upon further review, I realized that this was a great alternative to dealing with the licensing issues of the RIAA although there are some catches. IODA Promonet is an independent distribution network that allows bloggers, podcasters (both terms are defined very loosely by Promonet, so to answer the question, yes Online DJ’s fall in these categories) to use designated “Promotracks” for use, for free! While this sounds almost to good to be true… there are some rules you have to follow (namely announcing the track name or placing code on your website.)

The downfall of strictly using IODA Promonet is that you are limited to their artist selection (which does include tracks from artists such as Master P, Young Buck, Cygnus X, DJ Rap) and song selection. In many cases this is not a problem, but it does hurt when a person wants specific tracks or if you are a Top 40 DJ. Don’t let those pitfalls stop you though, IODA Promonet is a great service for gathering new and unknown music and it is one way you can stay in business as a DJ without having to deal with the RIAA and Royalty Fees.

Ineternet Radio Day of Silence!

Tuesday, June 26th, 2007

SaveNetRadio.orgIn about 18 Days, Internet Radio will die because of the new Internet Royalty Rates that were decided by the Copyright Review Board (see Broadcast Law Blogs very good coverage here: here).

This not only effects radio stations, but also DJ’s, Second Life Club owners, and anyone who listens to music online. The new proposed fees will turn off a lot of radio stations (and have already shut down a few), and aggregation services such as Loudcity.

I would ask that anyone who cares about Internet Radio, please look at the Save Net Radio campaign, sign a petition, and support legislation that makes these royalty fees fair for broadcasters to continue to operate online.